KING KONG

[MOTION-PICTURE]

[Hollywood Citizen-News, February 10, 1933] “Scenes from ‘King Kong,’ a Merian C. Cooper

production, will be given on the Hollywood on the Air program broadcast by KECA at 9:30. Fay

Wray, Bruce Cabot and Robert Armstrong, who played leading parts in this screen production

which was two years in the making, will be presented.”

[King Kong book] “…on February 10, 1933…RKO sponsored a thirty-minute radio program on

NBC advertising the movie. The program included sound and dialogue clips from the movie and

earned high ratings.”

ORIGINATION:

KECA, Los Angeles, California.

DURATION:

February 10, 1933.

PERSONNEL:

Unknown.

CAST: Robert Armstrong, Bruce Cabot, Fay Wray.

EXTANT RECORDINGS:

None.

HOLLYWOOD ON THE AIR (KECA, LOS
ANGELES)
[Friday—9:30-10:00 PM]

Feb. 10, 1933Scenes from ‘King Kong’

[“…Fantasy rules the lanes for a half-

hour period tonight when ‘Hollywood

on the Air’ observes ‘King Kong’

night. Colorful and exciting scenes

from this Weird Cooper production

will be presented during the

broadcast…”]

(WJZ, NEW YORK)
[Thursday—10:00-10:30 PM

March 2, 1933 “‘King Kong’ at Radio City

[“…Sketch; Speakers: Lowell Thomas,

Daniel Frohman, Producer, and

others…”]

(KECA, LOS ANGELES)
[Friday—8:30-9:00 PM]

March 24, 1933 “Premiere of Motion Picture

‘King Kong’

[“…Joel McCrea will be master of

ceremonies. Participants in the

broadcast are to include Marian

Cooper, Fay Wray, Bruce Cabot,

Louella Parsons and others…”]

KING KONG
[MOTION-PICTURE; RADIO-SERIAL]

“Paul Dumont, 5-foot-3 former announcer, plays the 8-foot-6 giant in the ‘King Kong’ radio

serial.”

ORIGINATION:

WEAF, New York City, New York (NBC-RED).

DURATION:

February 25-April 22, 1933.

PERSONNEL:

William S. Rainey (scriptwriter, director).

CAST:

Paul Dumont (King Kong), et al.

EXTANT RECORDINGS:

None.

KING KONG (WEAF, NEW YORK)
[Saturday, Monday—6:30-6:45 PM]

Feb. 25, 1933

[1]

Feb. 27, 1933

[2]

March 4, 1933 [3]

March 6, 1933 [4]

March 11, 1933 [5]

March 13, 1933 [6]

March 18, 1933 [7]

March 20, 1933 [8]

March 25, 1933 [9]

March 27, 1933 [10]

April 1, 1933

[11]

April 3, 1933

[12]

April 8, 1933

[13]

April 10, 1933

[14]

April 15, 1933

[15]

April 22, 1933 [16]

Paul Dumont

KPO DRAMA GUILD—“EDGAR ALLAN POE SERIES”

[SHORT-STORIES; RADIO-SERIES]

Poe tales adapted by Lucy Cuddy.

ORIGINATION:

KPO, San Francisco, California.

DURATION:

June 1-22, 1931.

PERSONNEL:

Mrs. John Cuddy (scriptwriter), Baldwin McGaw (director).

CASTS: Emma Knox, Barbara Lee, Baldwin McGaw, Victor Rodman.

EXTANT RECORDINGS:

None.

KPO DRAMA GUILD—“EDGAR ALLAN POE SERIES” (KPO, SAN FRANCISCO)

[Monday—10:30-11:00 PM]

June 1, 1931The Gold Bug” [Part 1]

[Thursday—8:00-8:30 PM]

June 4, 1931The Gold Bug” [Part 2]

[Monday—10:30-11:00 PM]

June 8, 1931The Murders in the Rue

Morgue” [Part 1]

[Thursday—8:00-8:30 PM]

June 11, 1931The Murders in the Rue

Morgue” [Part 2]

[Monday—10:30-11:00 PM]

June 15, 1931The Fall of the House of

Usher”

[Thursday—8:00-8:30 PM]

June 18, 1931The Purloined Letter

[Monday—10:30-11:00 PM]

June 22, 1931The Black Cat

KPRC DRAMATIC PLAYERS—“TALES BY POE”
[SHORT-STORIES; RADIO-SERIES]

This was the first ambitious dramatic production of KPRC after the Houston station moved into

new headquarters on the mezzanine floor of the Lamar Hotel in 1934. Announcer Sylvester Gross

provided the creative impulse behind these series of Poe adaptations. “Harvey Allen’s revised and

republishedIsrafelhas brought about an Edgar Allan Poe revival all over the country.”

In all, ten Poe stories were done on the series, ranging the gamut of the author’s work from…

Harry Bartell started his radio career in 1934 at KPRC in Houston. “I knew an announcer who

thought he was Arch Oboler and he started a series of midnight horror shows. Since everyone

worked cheap, I was in the cast. Prior to that time he had done a show that was 15-minute

versions of movies. The studios sent out scripts for the condensed version of pictures they were

showing. They were broadcast for free and all the actors and producer got tickets to the show...25

cents worth...that was my first professional wage.”

“My first exposure to KPRC was while they were still in the top floor of the Shell Building and

before they moved to the Lamar Hotel. I was there because of Sylvester Gross, who was a personal

friend and a fascinating announcer. He stammered rather badly in off-mike conversation but

could ad-lib by the hour without a mistake on the air… It was here that he became intrigued with

the idea of being producer-director-announcer-actor, a logical idea since there were no such

positions on staff for drama.

“Moving to the Lamar Hotel provided new impetus toward production.”

“I lost track of Sylvester when I left Houston but I think he was a suicide not too long after…”

ORIGINATION

: KPRC, Houston, Texas.

DURATION

: November 23, 1934-January 28, 1935.

PERSONNEL

: Sylvester Gross (scriptwriter, director), Charles C. Hard (musical director),

Marvin Van Dusen (sound effects), Jules White (scriptwriter, director).

CASTS: Harry Bartel, et al.

[NOTE: No specific information was found concerning the identity of the actors in this series,

apart from Harry Bartell. But a newspaper item from April of 1935 listed the following as

members of the KPRC Dramatic Players: Forest Cannon, Cleo Stamm, Fort Pearson, Nita Ruthe

Wright, and Bernard Freeman.]

EXTANT RECORDINGS

: None.

THE KPRC DRAMATIC PLAYERS (KPRC, HOUSTON)

[Friday—11:30 PM-12:00 MIDNIGHT]

Nov. 23, 1934“The Black Cat”

Nov. 30, 1934“The Fall of the House of

Usher”

[“…the story depicts the weird finale

of the last of the family of Ushers

and the ancestral family mansion.

The action is rapid and thrilling as

Usher, the mad master of the house,

changes mood frequently…”]

Dec. 7, 1934“The Murders in the Rue

Morgue”

[Wednesday—9:30-10:00 PM]

Dec. 12, 1934“The Case of Monsieur

Valdemar”

[“…The tale concerns a dying man

who is placed under a mesmeristic

spell and is thus suspended, neither

dead nor alive for a year…”]

Dec. 19, 1934“Ligeia”

[“…Sylvester Gross and Jules White

have spent considerable time and

effort in adapting this little known

and weird Poe story for radio…”]

[Saturday—9:00-9:30 PM]

Dec. 29, 1934“Hop Frog”

Jan. 5, 1935“The Cask of Amontillado”

[Monday—10:15-10:45 PM]

Jan. 14, 1935

Jan. 21, 1935“Berenice”

[Monday—10:30-11:00 PM]

Jan. 28, 1935“The Tell-Tale Heart”

Sources for log information:Houston Chronicle, Houston Post

THE KYA MYSTERY PLAYERS—“TALES OF TERROR”

[SHORT-STORIES; RADIO-SERIES]

New productions at KYA of the series originally done on WINS in 1934. This was part of a co-

operative plan to share scripts between five Hearst-owned stations.

ORIGINATION:

KYA, San Francisco, California.

DURATION:

February ??-March 2, 1935.

PERSONNEL:

H. C. Connette (director).

CASTS: Bob Anderson, Ray Leheney, Lynn Morley, Bill Packer.

EXTANT RECORDINGS:

None.

THE KYA MYSTERY PLAYERS—“TALES OF TERROR” (KYA, SAN FRANCISCO)

[Saturday—7:30-8:00 PM]

Feb. 23, 1935The Fall of the House of

Usher

March 2, 1935 “The Cask of Amontillado

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