DRUMS OF AFRICA / MOON OVER AFRICA

[RADIO-SERIAL]

The enormous box-office success of the Hollywood filmsTrader Horn(1930) andTarzan the Ape

Man(1932) revived the public’s interest in tales of jungle adventure. West Coast radio was quick

to fuel the appetite of its listeners for drama of a wild and exotic nature. Between 1930 and 193?

Edgar Rice Burroughs’ production company released three Tarzan serials on transcription discs,

KFI in Los Angeles had a hit with theKenya Billseries, and two of Carlton Morse’s serials for

KGO—The Dragon in the SunandThe Return of Captain Post—featured harrowing excursions

into the “heart of darkness” in Mexico and Cambodia, respectively.

[“Georgia Fifield, who teams with Richard Le Grand in KHJ’s new

Mr. And Mrs. Skits, is one of

the pioneer troupers of western radio…Came to Los Angeles in 1921 from San Jose, her

birthplace…Since that time has taken part in numerous radio and dramatic productions and

produced more than 400 half-hour one-act plays…In addition to theMr. and Mrs. Skitsshe is

appearing onHollywood Hoteland Bing Crosby’s broadcasts…Claims membership in the

Dominoes and Squids…Likes to attend horse races and usually wins…Resembles Mary Pickford.”]

[VARIETY] “Serial of mysticism and wild animal stuff that combines the elements of a Chandu

and Tarzan. Spotted three times a week, for half-hour periods early in the evening, it is aimed at

the kids, but in this section, where they are suckers for the serial fodder, it will be oke, too, for the

adult dial-turners.

“Story deals with an exploration party searching for a lost white tribe with a romance between

the explorer’s daughter and a young scientist in the party. Cast, recruited from among screen

players, handle the parts unusually well. Good sound effects lend to the illusion of the danger

supposedly existing from animals and hostile natives.”

[K. L. Ecksan,

Oakland Tribune, July 7, 1935]

“He was once known as Michael Kelly, but he is now known under his real monicker, Michael

Fitzmaurice, and his distinctive Dublin-English manner of speech is nightly heard over KHJ and

other stations of the Columbia-Don Lee network as he announces various programs.

“He was born in London, April 18, 1908… took his Master of Political Science at Trinity College,

Dublin. During Summer vacations, in keeping with his ambition, he visited British embassies in

all parts of the globe.

“Then came a meeting with a young man named Noel Coward, which completely changed the

Fitzmaurice course of events. Michael joined with the Henry Lonsdell Players when barely out of

his teens, remained with them for nearly two years and then went over to the Abbey Players of

Dublin for a series of plays. Adventure then took Fitzmaurice and a party of friends to Africa on a

crocodile hunt.

“Michael was taken down with jungle fever and returned to England in such impaired health

that his theatrical career had to mark time for several months…

“Straight to Hollywood went 22-year-old Michael, but instead of a place in films, he landed in a

publicity job at a local radio station. This entailed occasional announcing, and his chief finally

seized upon the idea of having him heard under the name of Michael Kelly. ‘Fitzmaurice’ was too

difficult for most persons to spell, and was not sufficiently Irish to suit his boss. Thus, the

‘Michael Kelly” myth came into being…”

As if enough confusion didn’t exist already over the transition fromDrums of AfricatoMoon

Over Africa, a further mystery has come to light. In March of 1937 the MacGregor-Sollie

transcription company announced the release of a new recorded serial which, from their

description, sounds amazingly likeDrums ofAfrica. Yet it purports to be an entirely brand new

creation. “It was written by Jack Lewis,” asserted the press release, “who spent fourteen years in

Somaliland… ‘Talking Drums’ is the story of a white party headed by Dr. Campbell, an English

scientist. With him are his attractive daughter, Barbara, and a young assistant named Grant.

Their search for African lore takes them into the heart of the jungle. Early in the serial they

encounter a mad Frenchman who has taken a terrific hold on the natives, and he mysteriously

dogs their footsteps… In the story Lewis takes the part of Ulagi, the friendly Massei chieftain who

guides Dr. Campbell’s party through darkest Africa.”

[Abilene Reporter-News, Sunday, May 15, 1938—“African Lore Reflected In New Mystery Serial

Slated By KRBC”] “The drums will not be those of fictitious, theatrical Africa, but the genuine

mood of the mysterious continent captured by Jack Lewis, a writer who spent several years there

as a member of a scientific expedition.

“During his sojourn in Africa Lewis filled several notebooks with authentic legends, gathered an

amazing collection of native exhibits, and actually learned parts of the native dialect. Like the

legendary Trader Horn, he learned to interpret the weird and terrifying legend of the drums.

“In the radio play Lewis enacts the part of Massei chieftain Ulagi by name, who befriends Dr.

Campbell and party. The story deals with the search of Dr. Campbell, his daughter, Barbara, and

young assistant, Grant, for historic lore among the jungle natives. Early in the plot, their footsteps

are dogged by a mad and wily Frenchman whom the natives consider a strange sort of god.

“Scheduled to appear as Dr. Campbell is Bruce Payne, prominent Hollywood radio actor.

Barbara is played by Barbara Luddy, star of the ‘First Nighter’ and other network programs. Grant

is portrayed by Joe Kearns, rising Hollywood juvenile.”

[Winnipeg Free Press, September 14, 1938] “Drums talk across the veldts of darkest Africa

when Professors Adrian and Aalbert Smith (you know Aalbert, ‘oo was et by lion) set out over the

CBC airwaves in quest of the Talking Skull, which alone of all the skulls in the world knows the

secret of the Elephants’ Graveyard. Accompanying the Smith Brothers will be those two intrepid

explorers, Col. Theodore Woodhouse and Frank (Bring ‘Em Back Alive) Hawkins, with whom will

march Deadshot Oftenbroke, the celebrated big-game hunter, Egbert (The Lion-Killer) Holloway,

Lord Percy, and Uncle Andrew (Bang Goes Saxpence) MacGregor.”

[Winnipeg Free Press, Sepember 21, 1938] “The profoundest secrets of darkest Africa revealed

as the Laughing Skull expedition—which began last week in the CBC’s Winnipeg studios winds its

way into the remotest fastnesses of the high veldt… Characters in the stirring drama include Chief

Woochabi, alias Hawkins; Toolagi, the Witch Doctor; Boola Boola, native guide; and the fearless

big game hunter Captain Featherhead… There be a Laughing Skull named Brian Hodgkinson also

in the offing…”

The transcription series is believed to have been released in 1935. Several sources list broadcast

dates from March 16 to September 7 of that year, but this has not been confirmed nor has it been

determined what station might have broadcast the show on those dates.

Another source, the 1938-39 edition of theVariety Radio Directory, citesMoon Over Africaas

a release of Radio Recorders, Inc. in Hollywood. Research has determined that it played on ????

station ???? in 193?. It was also broadcast from several facilities in Australia—from Bathurst

station 2BS in 1937, from Canberra station 2KA (“The Voice of the Mountains”) in 1938, and from

Armidale station 2AD in 1939.

ORIGINATION

:KNX, Hollywood, California.

[

OG-NOTE:

Electrical transcriptions of an expanded version of this series were released by Transco under the title

Moon Over Africa.]

DURATION

:September 19-October 8, 1932 (KNX); ca. 1936 (release of transcription series).

PERSONNEL

:True Boardman (announcer), Georgia Fifield (producer), Michael Kelly (scriptwriter).

[

OG-NOTE:

Talbot Mundy has been credited by one source as the author of this serial, but there is no confirmation

of this assertion.]

CAST:

Lionel Belmore (Professor Anton Edwards), True Boardman (N’guru), Georgia Fifield (Lorna

Edwards), Fred Shields (Jack Martin).

EXTANT RECORDINGS:

Episodes nos. 1-26 of the transcription program are extant, but there remains

some question as to whether this is the entire series or not.

DRUMS OF AFRICA (KNX, HOLLYWOOD)
[Monday, Wednesday & Saturday---8:45-9:00 PM]

September 19, 1932

[1]
[“…A young man in love with the professor’s daughter. A bit of the

‘Drums of Africa’… Jungle love ‘n everything…”]

September 21, 1932

[2] ?????

September 24, 1932

[3]
[“…The jungle wireless!… Mystery, adventure and for good measure a

‘mummified head’… Weird hypnotism…”]

September 26, 1932

[4]

September 28, 1932

[5]
[“…In the jungles searching for a mythical white race…”]

October 1, 1932

[6]
[“…Led by a weird talking, mummified head, they are captured by

savages…”]

October 3, 1932

[7]

October 5, 1932

[8]

October 8, 1932

[9]
MOON OVER AFRICA (1935 DISC SERIES)

March 16, 1935 [1] “The Talking Head

March 23, 1935 [2] “The Atlantis Quest

March 30, 1935 [3] “Jungle Trance

April 6, 1935

[4] “

The Sacred Python

April 13, 1935

[5] “

The Rhinocerous Hill

April 20, 1935 [6] “Captured by Cannibals

April 27, 1935

[7] “

Escape

May 4, 1935

[8] “

A New Land

May 11, 1935

[9] “

Inside the Volcano

May 18, 1935

[10] “

Prisoners in the Palace

May 25, 1935

[11] “

Sacrificed

June 1, 1935

[12] “

Revolution

June 8, 1935

[13] “

The Secret of the Talking

Head

June 15, 1935

[14] “

Passage of the Rock

June 22, 1935

[15] “

The Witch Woman of the

Rock

June 29, 1935

[16] “

Back to the Jungle

July 6, 1935

[17] “

The Eyes of the Moon

July 13, 1935

[18] “

The Leopard Cult

July 20, 1935

[19] “

The Leopard Woman

July 27, 1935

[20] “

The Devil Doll

Aug. 3, 1935

[21] “

White Magic

Aug. 10, 1935

[22] “

Native Revenge

Aug. 17, 1935

[23] “

The Whispering Forest of

Death

Aug. 24, 1935

[24] “

Treachery

Aug. 31, 1935

[25] “

The Orchids of Death

Sep. 7, 1935

[26] “

The Treasure of the

Ancients

[Episode titles are not from the original series, but were added descriptively by OTR collectors in

the Seventies.]

Georgia Fifield