DARK FANTASY

[RADIO-SERIES]

Originating in the Skirvin Tower Hotel studios of WKY in Oklahoma City,Dark Fantasywas an

anthology series in the Arch Oboler-Lights Outmold, with stories ranging from speculative

explorations of other dimensions to bloodcurdling exercises in spectral horror. George H.

Hamaker, the station’s continuity editor who waxed creative under the pseudonym “Scott

Bishop,” was the sole scriptwriter for the entire run of the series, and even managed to work

himself (a la Oboler) as a character into one of the episodes (the religious allegory “The House Of

Brede”).

NBC, smarting from an ASCAP music ban that left the networks short on late-night big band

remotes, snapped upDark Fantasyand another WKY series,Southern Rivers, for its Friday

evening line-up, where they ran for an eight-month period—much to the joy of the parent station

which lost no opportunity to publicly crow about its ascension to the “big league.” (According to

WKY press releases, Hamaker had previously written for network shows, so he was not without

experience on that level of programming.)

According toThe Oklahoman: “…WKY will demonstrate that it has reached full maturity by

inaugurating a series of programs Friday on the NBC red network…”(Oklahoman, 11/13/41) The

article professed: “Friday night it will become the first station outside of New York, Hollywood

and Chicago from which a dramatic production has been originated for the national chain.”

The Oklahomanpromoted the Friday the thirteenth episode from February 1942. According to

the paper: “Who-o-o-o-o-o-o-o-o is scared of Friday the thirteenth? Not the cast of ‘Dark Fantasy,’

that weird and grisly horror drama…” (Oklahoman, 2/13/42) The article continues: When Author

Scott Bishop and Producer John Prosser noticed they had to present the thirteenth in their series

of blood-curlers on Friday the thirteenth, they determined to abandon caution entirely.

The episode’s title for this entry in the series was “W is for Werewolf.” Unfortunately, the series

didn’t capture a large enough audience and was cancelled by NBC in the early summer of 1942.

This didn’t stopThe Oklahomanfrom bragging about WKY’s achievement. In April 1944 the

paper reminds readers of the twenty-six week run of Dark Fantasy.

[“Dark Fantasy Sees Light In Tea Room.”

Capital Times(April 19, 1942).] "‘Dark Fantasy,’

radio's weirdest thriller series, heard late in the evenings over Station WIBA, was born in a

Chinese tea room late on the stormy night of Nov. 3. 1M1 while Scott Bishop, father of hundreds

of mystery novels, stories, and radio scripts, sat' drinking an iced, spiced tea concoction of his own

invention, with Radio Production Man John L Prosser in a haunt known as Yung Si Fa's.

“The darkly psychological conversation centered around mystery tales, with frequent references

to Poe, De Quincy, Blake, Coleridge and other masters of the craft. Bishop's mind kept turning on

the subject after he went home, so he sat down, and wrote a 30-minute script called ‘The Man

Who.Came Back.’ Next day Prosser and Bishop read the tale over in the cold light of morning,

decided it was good, got a dramatic cast together, made a recording and submitted it, still hot off

the infernal griddle, to the NBC-Red network program Department. Eleven days later ‘Dark

Fantasy’ had its premiere.

“On Friday, Apr. 24, ‘Dark Fantasy will present Bishop's 23rd original story of the series over

Station WIBA at 11:05 p.m. The title is ‘The Screaming Skulls.’

Asked recently why he thinks his type of mystery thriller has particular appeal for radio, Bishop

reasoned, “Granted that listeners enjoy a good whodunit yarn where all the facts have sound

reasons for existing, I think there is more fascination in the ‘Dark Fantasy’ type of tale where the

horror comes from things unusual or even supernatural. In this case, it is not the terror itself that

causes listeners’ hair to rise. It's the unseen, unaccountable cause of the terror.’”

ORIGINATION:

WKY, Oklahoma City, Oklahoma (NBC-RED).

DURATION:

November 14, 1941-June 19, 1942.

PERSONNEL:

George H. Hamaker (scriptwriter—as “Scott Bishop”), Keith Painton (announcer), Tom

Paxton (announcer), John I. Prosser (producer).

CASTS:

Georgiana Banks, Eleanor Naylor Caughron, Minnie Jo Curtis, Muir Hite, Ben Morris, Garland

Moss, Alf Stanley, Fred Wayne.

EXTANT RECORDINGS:

All but four-and-a-half episodes of this series survive. (The missing half is the last

part of “Sleeping Death.”) The four missing titles are “The Soul Of Chen Hi Yuan” (11/21/41), “Karari”

(4/17/42), “The Screaming Skulls” (4/24/42), and “The Hearse With The Broken Wheel” (6/19/42). A half-

episode entitled “Séance,” which is a re-make of “A Delicate Case of Murder,” also exists; some log compilers

identify this with a June 19 date also.

[CHRONOLOGY]

DARK FANTASY (WKY, OKLAHOMA CITY—NBC-RED)

[Friday—11:30-11:55 PM]

November 14, 1941“The Man Who Came Back”

EXTANT RECORDING

November 21, 1941“The Soul of Chen Hi Yuan”

[“…A visit to San Francisco’s Chinatown, a small brass idol and a chance

meeting with a strange old man, all furnish exciting drama…”]

[

OG-NOTE:

The title of this story was cited (phonetically, perhaps) in aVarietyreview

as “The Soul of Shan-Hi-Wan.”]

November 28, 1941“The Thing from the Sea”

[“…a strange story of a becalmed ship that suddenly races at a rapid pace

through the water with Ansau, last ruler of the renowned land of Mu, at

the helm…”]

EXTANT RECORDING

December 5, 1941“The Demon Tree”

[“…a weird story based on the ancient legend of ‘The Strangling Oak of

Nannau Woods’ in England…”]

EXTANT RECORDING

December 19, 1941“Men Call Me Mad”

[

OG-NOTE:

This play was originally scheduled for December 12, but was postponed a

week “due to the current war.” Originally announced for the date of the 19th was

“Three Lines of Old French,” described as “a strange story, told by a famous French

doctor about the first World war, but not a story of the war itself…”]

EXTANT RECORDING

December 26, 1941“The House of Brede”

EXTANT RECORDING

January 2, 1942“Resolution—1841”

EXTANT RECORDING

January 9, 1942“The Curse of the Neanderthal”

EXTANT RECORDING

January 16, 1942“Debt from the Past”

[“…a weird tale of how a business man, 30 years dead, manages to pay a

long standing ‘debt of honor’…”]

EXTANT RECORDING

January 23, 1942“The Headless Dead”

EXTANT RECORDING

January 30, 1942“Death Is a Savage Deity”

EXTANT RECORDING

February 6, 1942“The Sea Phantom”

EXTANT RECORDING

February 13, 1942“W Is for Werewolf”

EXTANT RECORDING

February 20, 1942“A Delicate Case of Murder”

EXTANT RECORDING

February 27, 1942“The Spawn of the Sub-Human”

[“…story of an opera star and a madman…”]
EXTANT RECORDING

March 6, 1942“The Man with the Scarlet Satchel”

EXTANT RECORDING

March 13, 1942“Superstition Be Hanged”

EXTANT RECORDING

March 20, 1942“Pennsylvania Turnpike”

[“…the fantastic tale of a little old man who had nothing better to do than

to hitch-hike rides with gentlemen with red hair…”]

EXTANT RECORDING

March 27, 1942“Convoy for Atlantis”

[“…a weird tale of ships that disappear in the night and of strange

treasures that arise from the sea…”]

EXTANT RECORDING

April 3, 1942“The Thing from the Darkness”

EXTANT RECORDING
[Friday—11:05-11:30 PM]

April 10, 1942“Edge of the Shadow”

[“…Tonight’s story evolves around a strange dream…”]
EXTANT RECORDING

April 17, 1942“Karari”

[“…an eerie story of an aged and vengeful witch doctor who brews a

potion of terrible poison and designs an awesome destiny for his

enemies…”]

April 24, 1942“The Screaming Skulls”

[“…Involved are a dark, deserted English mansion and the mysterious

death of a nobleman and his bride some hundred years ago…”]

May 1, 1942“The Letter from Yesterday”

[“…story of a young married couple who investigate the mysteries of the

attic of an ancient house they have rented, only to find a century-old

letter that affects both their lives…”]

EXTANT RECORDING

May 8, 1942“The Cup of Gold”

[“…story which concerns a young girl who sees a man murdered while

holding a gold cup he has won at a golf tournament, and how that tragedy

is repeated with herself playing one of the leading roles…”]

EXTANT RECORDING

May 15, 1942“Funeral Arrangements Completed”

[“…The story of a crudely made coffin with an engraved nameplate

bearing the names of two living persons…”]

[

OG-NOTE:

The title of the story was originally announced as “Coffin for Two.”]

EXTANT RECORDING

May 22, 1942“Dead Hands Reaching”

[“…story of a man who unearths a treasure while he’s unconscious…”]
EXTANT RECORDING

May 29, 1942“Rendezvous with Satan”

EXTANT RECORDING

June 5, 1942“I Am Your Brother”

EXTANT RECORDING

June 12, 1942“Sleeping Death”

[“…A grim story of twisted minds at work…”]
EXTANT RECORDING

[

OG-NOTE:

Only the first half of this program survives.]

June 19, 1942“The Hearse with the Broken Wheel”

OCTOBER 31, 1950:

[Miami News—“Group Will Plan Stage Production”]

“Plans for the first Civic theater stage production will be announced at a

membership meeting tomorrow at 8 p.m. at the Miami Conservatory, 3900

Biscayne blvd.

“Auditions and rehearsals for a series of radio dramas, written byScott

Bishop, station WIOD program director, will also be arranged, according to

George Moffat, president.”

CIVIC THEATER (WIOD, MIAMI)
[Sunday—3:00-3:30 PM]

December 24, 1950The House of Brede

[

MIAMI SUNDAY NEWS:

“… ‘The House of Bread [sic],’ a presentation

written especially for today byScott Bishop. It features the story of the

first Christmas and one in the 20th Century…”]

[

OG-NOTE:

After the war, Hamaker, now working professionally under the Scott

Bishop name, became program director at WIOD.]

[Sources]

PERIODICALS:Times-Picayune

[New Orleans],