AT THE END OF THE PASSAGE

[SHORT-STORY]

“He has employed the grotesque, the horrible, and very often the eerie in his plots, looking with

anxious but never credulous eyes at what may be distinguished or imagined ‘at the end of the

passage,’ in the half-world betwixt fact and dream.”

Ghost story by Rudyard Kipling…

“First published in the United States on 20 July 1890 in theBoston Herald… Collected in 1891

in an authorized volumeMine Own Peopleand inLife’s Handicap(1891) in the United Kingdom.

“Four young men, a doctor, a civil servant, a surveyor, and an engineer, get together each week

in the engineer’s house in a remote station, to dine and chat. It is the summer season, and there is

no escape from the heat and dust, and little to entertain them. Hummil, the engineer, is near the

end of his tether, arguing stridently with the others, in a vile temper. He has not slept properly for

days, and when he does drop off, he is afflicted by fearful dreams. He has put a spur in his bed to

stop himself drifting into the shallow sleep of nightmares.

“The doctor, Spurstow, unloads Hummil’s gun, lest he shoot himself, and gives him bromide to

help him sleep deeply. But when they return a week later, they find him dead. There are images of

horror in the dead eyes.

“See Philip Mason (p. 101) for an examination of this story—he believes Kipling himself may

have experienced similar unspeakable fear coming in dreams.”

“[JMS Tompkins (p. 205): I cannot be sure that ‘the blind face that cries and can’t wipe its eyes,’

which appears with horrible facetiousness in ‘La Nuit Blanche’ in Departmental Ditties and as

pure horror in (this story) rose in Kipling’s own dreams, but he himself has told us in ‘Brazilian

Sketches’ that once in a child’s dream he wandered into a Fifth Quarter of the world and ‘found

everything different from all previous knowledge,’ and the memory of that dream must have

provided the groundwork for George Cottar’s wanderings in ‘The Brushwood Boy’…

“Braybooke (Kipling’s Soldiers) regards this as a study of a man driven mad by three elementals:

‘The sense of being alone, the force of the pitiless sun…and the curse of being unable to sleep…

Something robs Hummil of sleep and his mind slowly but surely goes.’”

[CHRONOLOGY]
RETOLD TALES
(WJZ, NEW YORK—NBC-BLUE)
[Sunday—6:30-7:00 PM]

September 15, 1929At the End of the Passage

SCRIPT:

Finis Farr (adapted from the story by Rudyard Kipling).

CAST:

John Brewster (Hummil), George Graham (Spurstow), William Johnstone

(Mottran), Horace Sinclair (Lowndes).

TALES OF THE TITANS
(WJZ, NEW YORK—NBC-BLUE)
[Monday—7:30-8:00 PM]

May 29, 1933At the End of the Passage

SCRIPT:

Finis Farr.

(HOME SERVICE, LONDON—BBC)
[Sunday—8:30-9:15 PM]

October 21, 1962At the End of the Passage

PERSONNEL:

Mollie Hardwick (producer).

TALES OF THE SUPERNATURAL
(HOME SERVICE, LONDON—BBC)
[Friday—5:25-5:55 PM]

December 23, 1966At the End of the Passage

[

BBC TITLE CARD:

“Hummil, the engineer in charge of a new Gaudhari

State Railway line, invites the only other three Englishmen within 100

miles to his bungalow every Sunday. They play cards, complain of the

heat and conditions etc. but anything is better for them than loneliness.

On this Sunday, Hummil behaves rather oddly and admits to not having

slept for some time. One of the men, a doctor, stays with him that night

when the others leave. It is obvious that Hummil is terrified. After an

injection Hummil sleeps and next morning seems normal. When the

friends call a week later, he is dead with a look of stark terror on his

face.”]

SCRIPT:

A. R. Rawlinson.

PERSONNEL:

David Davis (producer).

EXTANT RECORDING
THE CBS RADIO MYSTERY THEATER
(WRVR, NEW YORK—CBS)
[???day—10:07-11:00 PM]

October 10, 1979At the End of the Passage

[“…A British engineer in charge of building a railroad in the hot, disease-

ridden interior of India faces an adventure of a lifetime. The unrelenting

heat was debilitating. Life was temporary and cheap. To the credit of the

British, they worked hard to improve the lot of the natives, at the same

time trying to cling to their own more civilized ways. Sometimes they

cracked up…”]

SCRIPT:

Roy Winsor.

PERSONNEL:

Himan Brown (producer-director).

CAST:

John Beal (Hummil), Court Benson (Spurstow), Earl Hammond

(Lowndes).

[EXTANT RECORDING]